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Like his father, Peter Troschel worked partly from his own designs, but most of h …

This new catalogue of Barthel Beham's prints appears 65 years after the correspondin …

The De Brys are best known as book publishers who were active in Frankfurt am Main an …

Publishing schedule 2021

Joachim von Sandrart included Hans Troschel the Younger in his Teutsche Academie, 167 …

Jacob Christoff Le Blon (1667-1741) moved to Amsterdam in 1703 when publishers were …

Pieter de Jode II (1606-1670/74) and Arnold de Jode (1638-c. 1669) Pieter de Jode …

The Swiss printmaker Johann Jacob Thourneysen the Elder worked widely and successful …

Pieter de Jode I (1573-1634) Gerard de Jode’s younger son Pieter was trained …

The present Hollstein German volume includes book illustrations in chronological ord …

The present Hollstein German volume includes a wonderfully evocative woodcut of a pr …

This volume contains the work of the painter-etcher (Maler-Radirer) Johann Carl von …

At long last the German Hollstein series has finished with artists whose surnames be …

Jacob Cornelisz. van Oostsanen In the early decades of the sixteenth century Jacob Cornelisz (c. 1460/65-1533) headed a productive workshop in Kalverstraat in Amsterdam.

Johann Ulrich Kraus was born to a widely dispersed family of artists and artisans. He was the son of the carpenter Ulrich Krauss and received initial training in carpentry from him.

Jacob Christoff Le Blon (1667–1741) moved to Amsterdam in 1703 when publishers were producing a la poupée inked colour prints.

The Antwerp De Jode family consists of four generations of publishers, designers and engravers, working between c.1550 and 1670, throughout the ‘golden age’ of Flemish print­making

The imperial city of Augsburg flourished during the Renaissance when such notable printmakers as Hans Burgkmair and Daniel Hopfer were active. In the seventeenth-century Augsburg remained

The chateau of Fontainebleau, transformed into a magnificent palace during the reign of François Ier, was the birthplace of many of the greatest artistic innovations of the French Renaissance.

Finally The New Hollstein Dutch & Flemish catalogue on Abraham de Bruijn is there, an artist who until now had been shabbily treated by art history. F.W.H. Hollstein,#

An exhibition of colour printed engravings and etchings traditionally attributed to Johannes Teyler (Nijmegen 1648–c.1709) was shown in Nijmegen and Cleves in 1961.

With great pleasure we announce our first e-newsletter, The Hollstein Journal. Via th …

Niklaus Manuel (or Niklaus Manuel Deutsch, 1484? - 1530) was mainly active in Berne and is regarded as one of the foremost Swiss Renaissance artists.#

The rarity of the ten prints by the famous early German sculptor Veit Stoss can be gauged by looking at The Print Council of America sponsored A Census of#